'Mad Men' Season 6 Premiere

The Two-Hour Season 6 premiere of AMC's Mad Men, 'The Doorway', has come and gone, bringing us to Christmas 1967 & New Year's Eve, leaving us in January 1968. The tumultuous year will be the focus this season, no doubt creating quite the backdrop for what should be an explosive season. Here are some musings:

1 . Sally Draper (Kieran Shipka) had the line of the night, "She acts like she's 25 because she uses tampons."  Teenage Sally is just as fun as pre-teen brat Sally. And I'm now fully convinced she'll be on her way to Woodstock next season.

2. Sideburns have exploded since the Summer of '67. Pete Campbell (Vincent Kartheiser) wins the award for the best ones. We're also seeing more and more moustaches & beards. Just wait until The Beatles' "White Album" comes out!

3. Nobody turns their Christmas trees off no matter how late at night it is. And this was way before LED lights, so they must have great smoke detectors. But they look nice, so I don't mind.

4. January Jones still has a fat suit, though its slightly smaller. So I guess "Fat Betty" is still around! By the end of the episode she dyes her hair black after a visit to some sketchy community apartment in an increasingly dangerous Manhattan. She's there looking for Sally's runaway friend, and gets an earful from a homeless guy about her bottled up existence in Rye, NY. So basically this is her version of turning goth. "Fat Betty" is now "Goth Betty". Earlier in the episode she gave us some seriously psycho humor, teasing Henry (Christopher Stanley) that if he wanted Sally's 15-year-old friend, she would hold her down for him. Maybe the new "Goth Betty" will stop being jealous of teenage girls?

5. Peggy (Elisabeth Moss) is basically the Don Draper (Jon Hamm) of her new office. Quite the workaholic, she expertly solves a crisis for their upcoming Super Bowl ad. Yet she is also a hard ass, making people work on New Year's Eve.

6. Roger Sterling (John Slattery) can't shed a tear when his 91-year-old mother dies, but balls like a baby when his shoeshine-guy dies. Don't ever change, Roger.

7. Megan (Jessica Pare) is now a soap opera star, and Don is now obsessed with death and finds heaven morbid. Megan has gotten him into smoking marijuana, but he is still the opposite of Roger, who took LSD and became more of a free spirit with it. Oh, and the question from the end of last season has been answered. Don has begun to cheat on her, and with the wife of his new doctor friend. She is Sylvia Rosen, and is played by Linda Cardellini, who you know from "ER", "Freaks & Geeks" and "Grandma's Boy". Between this and in Season 3 when he slept with Sally's teacher, he sure likes to pick dangerous ones. We do see regret though, which we didn't see when he cheated on Betty. Baby steps. He is clearly in a crappy state right now though.

8. Alex Mack (Larisa Oleynik) and Rory Gilmore (Alexis Bledel) were not in this episode. I can't remember their characters' names so we'll go with those. And its more fun that way.

9. We didn't see much of Joan Harris (Christina Hendricks) apart from when they had to take portraits. Fear not though, now that she is a partner our favorite wisecracking redhead will be featured more soon.

10. Vietnam is starting to become heavily referenced, as it should now that they've entered 1968.

'Mad Men' Season 6

The sixth and penultimate season of Mad Men begins this Sunday, April 7th, a week after the season finale of The Walking Dead. Yes, AMC gets to follow up one hit show with another. Good decision to have it begin a week after The Walking Dead, and a sincere thank you to AMC because it will help hold us over until our favorite zombies/walkers return in the fall. 

One of the big questions is always "what time-frame will Mad Men pick up in?" Season 5 ended in 1967, and we famously got a dose of an actual Beatles song, "Tomorrow Never Knows" from their 1966 album Revolver. In a video interview with Jon Hamm posted on the Rolling Stone website, Hamm explains he prefers The Rolling Stones to The Beatles. Mad Men also featured The Rolling Stones' "I Can't Get No (Satisfaction)" in Season 4. Maybe this time we'll get a song from both bands at the same time? Other musicians who could start to be played in episodes are Jimi Hendrix, Janis Joplin, The Doors, and Aretha Franklin.

Christina Hendricks as Joan Harris

AMC also just released 10 photos from Sunday's two-hour premiere, and some of the photos feature Christmas decorations and a tree, so we can assume Season 6 picks up in November/December 1967. Most of the season will take place in 1968 that means, and should be heavily influenced by the civil rights movement and the escalating protests of the Vietnam War.

The seventh and final season should take us into 1969, with the moon landing and Woodstock. I'm looking for an episode called "Sally Goes to Woodstock". Just hopes she stays away from the brown acid. I was hoping that we'd get a few seasons that take place in the 1970s, for some leisure suit and bell-bottom fun, but it looks like that may not happen. Unless the end of Season 7 takes us there.

Mad Men Gets The Beatles

AMC's hit show Mad Men finally got an actual Beatles song on last nights episode "Lady Lazarus". At the end of the episode, Don's (Jon Hamm) younger wife Megan (Jessica Pare) gives him the latest Beatles album, "Revolver" (the show is currently in late 1966). She tells him to play the outstanding psychedelic track, "Tomorrow Never Knows." The song kicks in and we hear the rare sound of an actual Beatles song on a TV show. You can listen to it below.

The reason it's so rare is because the songs are expensive to license, and they are also picky about it in general. When the film Dinner For Schmucks got the right to play the song "Fool on the Hill" in the movie, Paramount/Dreamworks paid $1.5 Million. (Yoko Ono & Paul McCartney also saw the movie first and enjoyed it.) For Mad Men, Lionsgate reportedly paid $250,000 to feature the song. Its not just the money though, because many have tried to get songs and have been turned down. They have to like the script & context of the song before signing off on it. Paul & Ringo are fans of the show, which helped. I believe this is the first time a Beatles song has been featured in a TV show, at least recently. A few movies have had Beatles songs in them though: Ferris Bueller's Day Off, The Social Network, Bowling For Columbine, & Nowhere Boy. Plus their own movies of course.

The cost is referenced in the episode itself as a joke. Early in the episode the characters are pitching an ad campaign with their concept playing off the Beatles film, "A Hard Day's Night." Their task is to find a song that sounds similar, since it is too difficult and expensive to get an actual Beatles song for an ad campaign. Its a little wink and nudge at the audience that AMC spent the big bucks to finally get a Beatles song in an episode. And it worked out perfectly, because the track fit in so well with the story and the time frame they are in right now. Don doesn't understand why music has become so important, because he grew up in the 1930s/1940s when it wasn't. There were no larger than life musicians. Halfway through listening to "Tomorrow Never Knows", after seeing clips of Peggy (Elisabeth Moss) smoking a joint while working and Megan laying down at her acting class with her mind "turned off, floating upstream", Don turns the song off and walks away. The generational differences are surfacing as Mad Men moves through the psychedelic era of the 1960s. Don is out of touch and can't understand the Beatles or the younger generation, yet he married into it. Pretty sure this marriage will end up on the rocks. What are the odds Megan becomes a member of the "flower power" movement?

And if you haven't listened to The Beatles masterpiece Revolver by now, go out and get it. Remember to "lay down all thought, surrender to the void" (unlike Don).

Ranking The Beatles Albums: Part Three

Ranking The Beatles albums is always a difficult task. How can you choose one as a top album when so many could fit there? Everyone has their favorite Beatles album, and I will try to make my list of them. It's always tough when you get into the Top 5 especially. Abbey Road seems to be their most popular in the general public, but will it top my list? I will be including the Past Masters with the original 12 studio albums. All albums can be bought in digitally remastered form on CD, or downloaded on iTunes. I prefer CD's. (Album cover images belong to Apple/EMI.) These albums are so hard to rank because they all seem so equal. How would you rank them?
Click Here for Part One & Here for Part Two

5. The Beatles (The White Album) (1968) - Their self titled double album obviously has the most material on it, and is quite the collection of outstanding songs. Probably the best double album of all time. Tensions may have been high between them during recording, but they were still able to create amazing music during a time when they were wanting to do solo material. They reach such a wide variety of styles on this album, and make it all sound great together. Even the avant-garde "Revolution 9" is interesting, for being unique. There really is something on this The White Album for everyone.

4. Abbey Road (1969) - This is their most popular album with today's audience and for good reason. It's full of hits like "Something," "Come Together," "Here Comes the Sun" and the flawless Abbey Road Medley. The Medley helps separate the album from the others and always leaves you wanting more. George Harrison really stands out on this album, and makes a good preview of his first solo album. The iconic album cover is so simple but was pure genius and will be replicated forever, with fans going there to recreate it. The street even has it's own live webcam just for that.

3. Revolver (1966) - Psychedelic. Revolver launched the psychedelic era into the mainstream with songs like "Tomorrow Never Knows," "I'm Only Sleeping" and "She Said, She Said." It's not all about psychedelic music though, but the rest of the songs still manage to sound so much different than any of the others that came before them. "Eleanor Rigby" and "Yellow Submarine" still seem like songs that don't fit any category, they're just great. All the tape loops, backwards vocals, Indian influenced sounds and feedback make this album special, and groundbreaking when it was released.

2. Sgt. Pepper's Lonely Hearts Club Band (1967) - The groundbreaking production from Revolver was expanded even further on Sgt. Pepper's, and listening to this album through some good headphones really make you appreciate all of the details in the songs. The colorful cover is just as detailed. No singles were released from the album, it didn't need any to sell millions like it has. It was all about the album from one song to the next. It's an album to get lost in, very visual like a kaleidoscope. A personal favorite is "Being for the Benefit of Mr. Kite." I just love the carnival sounds that bring the song together and make it so unique.

1. Magical Mystery Tour (1967) - It usually isn't #1 in Beatles rankings, but love the whole package of it. The songs are great and the album comes with it's own comic in the booklet. The title track as well as "I Am The Walrus," "Strawberry Fields Forever," "Penny Lane," "Baby, You're a Rich Man" and "All You Need is Love" are some of the most well known songs and can all be found here. "Blue Jay Way" is one of the more hypnotic songs you can find. I think the album is underrated since it was originally just an EP in Europe, excluding some of the popular singles that were added to it in the American release, which is now the standard version around the world. John Lennon also stated that this was his favorite Beatles album, "because it's so weird." Weird and amazing.

Ranking The Beatles Albums: Part Two

Ranking The Beatles albums is always a difficult task. How can you choose one as a top album when so many could fit there? Everyone has their favorite Beatles album, and I will try to make my list of them. It's always tough when you get into the Top 5 especially. Abbey Road seems to be their most popular in the general public, but will it top my list? I will be including the Past Masters with the original 12 studio albums. All albums can be bought in digitally remastered form on CD, or downloaded on iTunes. I prefer CD's. (Album cover images belong to Apple/EMI.) Click Here for Part One. Here is part two:

9. Past Masters (1988) - During their career they released many singles that were not on any original studio album, feeling it was better value for people as opposed to having a bunch of singles people already owned on the albums. This was released in 1988 to collect all those singles and B-Sides. Classic songs like "She Loves You", "I Feel Fine", "Rain", "Hey Jude", "Revolution", and "Don't Let Me Down." However, I didn't want to rank it any higher than this because it's not an original studio album, more of a compilation. But still, those classic songs aren't on any of the studio albums, so this fits in perfectly with the standardized catalog. 

8. Help! (1965) - This album features some influence by Bob Dylan ("You've Got To Hide Your Love Away). This was a preview of things to come with the group, while still retaining the fun rock-n-roll of previous albums. The songs here all fit together nicely, with a bunch of stand outs, "Ticket to Ride", "Help!", and "You're Going to Lose That Girl." This accompanies their film of the same name.

7. Let It Be (1970) - Their final album released has perhaps one of their top 10 songs of all time on it, the title track. The album is interesting, and while the Phil Spector wall of sound is sometimes criticized, I don't think it is too bad. It sounds especially good on "I Me Mine." Also worth giving a shout out to Let It Be... Naked (2003) which was released without any of Spector's overdubs, and includes "Don't Let Me Down", which the 1970 original version left off. Paul McCartney prefers the Naked version, but both are solid. The songs on the naked version sound more like the ones played on the famous Apple rooftop concert.

6. Rubber Soul (1965) - This is The Beatles album that completely moved them to a more mature place. It also featured completely original material, no covers as with most previous albums. The sitar made its first appearance here as well on "Norwegian Wood", and would be used further on their next few psychedelic albums.  This is where it becomes difficult to rank the albums, because they are all excellent masterpieces. They began their experimentation with music here, and would expand it on further albums. 

*Special Shout-out* - Love (2006) - While not part of the list, the Love mash-up album which accompanies the Vegas show is definitely worth owning. The songs sound fresh and give you a whole new perspective. They did a great job mixing different tracks together, and they give you interesting info in the album (or iTunes LP) on how they did it. It's like listening to The Beatles all over again for the first time.

Ranking The Beatles Albums: Part One

Ranking The Beatles albums is always a difficult task. How can you choose one as a top album when so many could fit there? Everyone has their favorite Beatles album, and I will try to make my list of them. It's always tough when you get into the Top 5 especially. Abbey Road seems to be their most popular in the general public, but will it top my list? I will be including the Past Masters with the original 12 studio albums. All albums can be bought in digitally remastered form on CD, or downloaded on iTunes. I prefer CD's. (Album cover images belong to Apple/EMI.) Here's part one:

14. Yellow Submarine (1969) - This soundtrack album is the easiest to place. The album contains only four Beatles songs unique to it. The other two Beatles songs are both on previous albums.The rest of the songs are from the George Martin score to the film. It's still a good album, but it's obviously their weakest. It's definitely worth a part of your collection though, and the artwork inside is some of the best.

13. Please Please Me (1963) - Their first album, which was recorded in one day, is full of fun, classic songs such as "Twist and Shout" and "I Saw Her Standing There." This didn't show The Beatles changing things up from the norm like their later albums, but it shows that they were better than everyone else no matter what songs they recorded. And the fact that they recorded this entire album in one day is nothing short of amazing. There are artists who take years to make an album and it still doesn't reach the quality of this one.

12. A Hard Day's Night (1964) - Another album chock full of hits, the best besides the title track being "Can't Buy Me Love" and "I Should Have Known Better." This accompanied their first film, and really showcases how strong they were as songwriters early on. According to John Lennon the title comes from something Ringo Starr said just as a remark one time that stuck. This is the first albums that features only original songs, and the only album where every song is written by Lennon/McCartney. George Harrison would get a couple songs on other albums.

11. With The Beatles (1963) - Their second album was no Sophomore slump. The cover songs they recorded on here are some of the best, managing to outdo or at least equal the originals. The covers may also outshine the Beatles' original songs on here, but those are no slouch either. My favorites are "Please Mister Postman," "You Really Got a Hold On Me" and "It Won't Be Long." Their famous harmonies sound especially great on this album. 

10. Beatles For Sale (1964) - This is an often underrated album, but is a personal favorite of their four 1963/1964 albums. The first three tracks on the album are amazing, and a preview of things to come on later releases. They have a more emotional, somber tone than any of the songs on their previous albums and the lyrics stand out. They felt a little overworked at this point so that may be the reason for the heavier first three songs. The album cover fits the songs perfectly, with their lack of smiles in the autumn setting of Hyde Park in London. "Eight Days A Week" is the standout track on the entire album, mainly because it is easy and fun to sing along with.